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CADA-MOD board
Using ADAT tapes
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ou can record laser shows exclusively for your
own use (or your company's use), or you can record them for distribution to others. In the
first case, it does not matter what tracks you use. If you have special requirements you
can use whatever tracks you wish.
However, many laser show producers may want to
sell or lease tapes to others. Pangolin helped develop standard track assignments for
three-color (RGB) laser projectors. The tracks can be used with any multi-track tape
system, such as reel-to-reel 8-track, or Tascam's DA-88 digital tape system. Because most
laser producers use ADAT, this is the common name for the track assignment standard.
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his section is for those laser show producers
who want to play back on a "typical" RGB laser projector. Pangolin uses the
following track assignments. (These are similar to or identical to the
International Laser Display Association's
"ISP-TAPE" standard. The exact ILDA standard is available at the ILDA website.)
- Track 1, X axis signal. If connected to the 1/4 jacks, the input signal will range from
-2.5 to +2.5 volts (i.e., 5 volts peak-to-peak). "Left" corresponds to -2.5V,
"right" to +2.5V for front projection.
If connected to the ELCO connector, the input
signal will be -10 to +10 volts differential. "Left" corresponds to -10 volts,
"right to +10.
If you are rear projecting, do not reverse left
and right; instead use an invert switch in your scanner amp or use a third-party gain and
offset device such as the Universal Geometric Corrector. The signal should always be
recorded correctly for front projection.
- Track 2, Y axis signal. "Bottom" corresponds to a negative voltage,
"top" to positive.
- Track 3. Red signal. No color corresponds to 0V, full red corresponds to +5V. This is
the case for both the 1/4" jacks and the ELCO connector.
If you have only a single color available, use
Y-cables so this signal goes into tracks 3, 4 and 5. Those with color projectors will see
your show with the maximum laser power (as shades of white).
- Track 4, Green signal.
- Track 5, Blue signal.
- Track 6, Projector control (optional). ILDA uses DMX-512, although this has not proven
to be a successful, widely used standard. You can use DMX, SMPTE time code, or any other
signal which coordinates timecode or controls a projector. Or you can leave track 6 blank,
adding projector control signals at a later time if you wish.
- Track 7, Left audio. Because the audio is digitally encoded to CD resolution, there is
no need for Dolby, dBX or similar noise-reduction encoding. No special processing should
be used.
- Track 8, Right audio.
These tracks ensure that one ADAT can control one RGB laser projector. What happens in
the case of a projector with two (or more) RGB heads?
The answer is simple: ADATs are slaved together
to act as a 16 (or more) track machine. The second ADAT tape has the same track
assignments as the first, including the left and right audio. This makes it possible to
edit the second head as easily as the first. Also, the second head can be played on only
one machine, for review or demonstration purposes.
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raw a full-size white square using your laser
graphics software. There should be no blanking in the square -- in Pangolin's Lasershow
Designer, be sure to turn off the "Blank points between tracks setting.". This
test pattern provides the maximum signal in all five laser channels: X, Y, red, green and
blue.
Put the ADAT into record mode so you can see
the LED level indications. Adjust your software so all LED's except the final, red LED are
lit. (Depending on your hardware and software capabilities, you might need to add an
outboard op-amp circuit to boost or cut the signal.) If the red lights up, the signal
level is too high -- the ADAT is clipping.
Because the LED meter is peak-reading with a
long decay, even if only part of the signal waveform is clipping, the red LED will still
light up. You can quickly fix this by using the signal level controls in your software.
(In Lasershow Designer, this is controlled by the Output Level sliders.)
Note that the meters display the absolute value
of the input signal. This means that full voltage from the X or Y signals (which are -2.5
to +2.5 volts) will be shown the same as full voltage on the RGB signals (which are 0 to
+2.5 volts). Even though the X-Y signals have a 5V range, and the RGB signals have a 2.5V
range, you will not see the RGB signals as lighting up only half the LEDs. In all channels
-- X-Y and RGB -- the yellow LED indicates the highest level you should record.
It is important to keep the signal levels
consistent. At previous laser conferences, ADAT tapes submitted were recorded at different
levels. Of course, this meant that some tapes played back at a smaller size, and with
less-saturated color. If all users set their record levels the same, there will be no need
to adjust size or color at playback time.
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DAT recording is compatible with International
Laser Display Association (ILDA) standards in two ways.
First, the input and output signal voltage
levels are compatible with the ILDA projector connection standard. This standard calls for
the projector to see a differential voltage of -10 to +10 volts. The ADAT can produce a
differential signal of -9.9 to +9.9 volts from the 56-pin ELCO connector.
Second, ILDA has adopted standards for ADAT
users. These standards are available in the ILDA Handbook, which each ILDA member (company
or individual) should have. These standards are also available at the ILDA website.
Note that ADAT is not "officially"
recommended by ILDA. You can use any playback media you want. ILDA's tape standards are
for anyone choosing to use ADAT equipment.
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here are three main points of compatibility:
- Signal levels. Signals should be recorded so that only small
adjustments, if any, are needed when playing them back on another projector. (The small
adjustments may be necessary since there are minor differences in gain and DC voltages,
from one Alesis to another machine. This is on the order of 10 to 20 millivolts.) Signal
level compatibility is discussed above.
- Track assignments. Tapes need to use the same tracks for the same
signals, such as track 1 for X axis signals. This also is discussed above
- Equipment compatibility. The playback projector must have the same
response as the recording projector. This ensures that the scanned images and colors will
reproduce accurately. The third area of compatibility is being addressed by ILDA efforts
in scanner and projector standardization.
If you record the same signal levels on the same tracks, and play them back on a
projector with the same tuning, you will be easily able to exchange tapes with other
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This page last updated:
Wednesday, Januari 29, 2020
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